Footage from some cameras, such as Sony FS700, has levels all the way to 109%. I'm just looking for a definitive answer on the correct way to deal with this in Premiere. I can see that turning on the levels filter just clips everything at 100%, so that's no good. If I use the Fast Color Corrector to set output white level to 235, it seems to do what I want. Would it be correct to apply that filter to ALL footage shot with superwhites at the get go?
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