Hi! If I create a Submix track to my timeline and root some other tracks to it and then change the volume level of the submix track in the Audio Mixer, nothing happens. (I just wanted to make two of my tracks a little louder.) Does anyone know, how I am supposed to use this?
I use Premiere Pro CS6 on Mac OSX 10.8.4.
Merci,
Tom
Hello Forum,
I have just received a project from another editor who was working on Premiere Pro on Mac.
I am opening the project in Premiere Pro CC on Windows 7 x64.
I have noticed that there are a lot of single red frames showing up in the media. Most of them are on the first frame of clips on the timeline. I have gone through the sequence and I am finding them because the thumbnails in the timeline show red. Now, for some of the clips with red thumbnails when I goto the first frame the clip is fine, but thumbnail is still red. If I right click on these clips and uncheck Scale to Frame Size then the thumbnail will refresh and look proper. then, i marked these red frames with a marker, sometimes when I go to another spot on the timeline then return the clip is ok, but sometimes it will just remain red.
The media is all DnxHD145. I have searched the forum and have found others experiencing these red and seems like sometimes green frames... not sure if these are related or not... but it looks like there is no solid solution. My media is playing back from an external RAID enclosure using esata. Also this drive is formatted HFS+ and I am using MacDrive on windows 7 x64.
Any ideas on how to remedy this problem?
Thanks
Bruce
Is it possible to use multicamera mode if the each camera's video consists from a lot of fragments rather then one entire video file?
What is the best way to sync the fragments?
With a tight deadline I've finished the edit, saved and rebooted. When restarting Premiere all edit points on the multicam timeline point to the start of the Multicam file. This is also true of all the back-ups. Have recreated all cache files but this has not solved the problem.
hey guys i have a question due to colored lines on sequence
when i import a vedio and edit it some line reveal on the sequence sometimes red or yellow . my question is that is it important to redner the sequence(make the colored lines green) before expoting it or the lines are just for playback issue ?does it affect on the resolution of the file?
Problem:
In Premiere CS6, both Prelude and Premiere, range markers (those with duration greater than zero) obscure any point markers (those with duration=0, the default). This is demonstrated at http://tv.adobe.com/watch/learn-premiere-pro-cs6/improved-markers-and- importing-from-prelude/ , at around 04:42. This obscuration discourages use of range-markers.
Solution (feature-request):
Please could you reverse that situation, so that point markers instead overlay range markers. In fact, more generally, shorter-duration markers should overlay longer-duration markers. The idea is that the longer-duration markers would serve as useful background to the shorter-duration ones, and also of course this would reduce loss of information display.
How it would be useful in practice:
For example, when editing a presentation, it is useful to initially mark ranges covering periods such as Establishing, Main Talk, Question&Answer Session, Finale & Applause. Then on top of that to add shorter-duration markers for particular elements to be used or avoided. Then on top of that, add markers for point-events such as "camera jolt".
Better still (feature-request):
Ideally, markers should be considered as a special compound kind of track, a metadata track (after all, markers do get stored as metadata). This (compound) track could then be viewed either in collapsed mode (where it would look like a single track, hopefully with the overlay priorities as described bove) or in expanded mode (revealing some number of separate lanes, defined by user, of markers). Such lanes could be given meaning by the user e.g. Info, Vital-use, Nice-use-if-possible, Avoid, Ancillary (Clapperboard, Grey-Card, Color Charts etc.). Colors could be defined for each lane, to make them intuitive to people, at a glance.
Many thanks,
David
Hello,
I'm having some trouble while exporting my clips. I'm shooting with a Sony HDR-XR160 on 1080i 25fps (From now on i use 1080 Progressive but, my older footage is 1080i.) If i connect my Sony Camcorder to my TV, everything is beautiful. I don't care to much about big file sizes since it is for home video and it will be played on a Media Player.
Because I live in Europe I use PAL.
These are the specs of the footage:
Type: MPEG Movie
File Size: 32,9 MB
Image Size: 1920 x 1080
Frame Rate: 25,00
Source Audio Format: 48000 Hz - compressed - 6 channels
Project Audio Format: 48000 Hz - 32 bit floating point - 6 channels
Total Duration: 00:00:12:12
Average Data Rate: 2,6 MB / second
Pixel Aspect Ratio: 1,0
What I liked to know is; How can I get a good export out of my old footage without stuttering video?
Hope you guys have a answer for me
- Denzel
I have edited a multi cam sequence for days now, but today when I opened it up it was all messed up. The clips were not were they were suppose to be.
I have no idea what to do, i need to fix it asap
Another strange behavior in Premiere CC. Again something new and "Exciting" 
So if you have an Anamorphic sequence, for example XDCAM EX 1080 50i (1,333 Ratio) and GPU acceleration - "ON" you will get this:
http://www.youtube.com/watch?v=AnxqMNElOiI&feature=youtu.be
Same thing happens if you place an anamorphic video on a progressive timeline.
My video Card is Nvidia GTX660 2GB, Windows7, 32GB RAM. In CS6 that worked fine. I just can't get it. If it's not a new feature and it all worked fine in previous version, how can it can be broken with a new release?
With each day i'm waiting for a bugfix patch more and more
I can plug the mp3 in the time code but no audio. Not even levels are being read. But when I plug in video footage, the audio plays.
Has any one else had success using Avid DNxHD Alpha files in Premiere CC? There was a workaround that Adobe gave that made this possible in CS6, but in CC the alpha disapears. Any suggestions?
Ide like to video my walking around manhattan and need some help blurring some faces or other sections of the film.
my videos are usually about an hour long and I remove lots of parts any tips on the quickest way to do this.
I watched some videos but they usually show how to remove just the front or back part of a clip. I need to remove several sections in the middle as well.
thank you
I hope this makes sense. So the video I'm working with is 720 x 480. The video I personally shot is in 1920 x 1080. I need to put them together, but the sequence is obviously smaller. Should I export the latter or should I scale it down in the 720 x 480 sequence? Is there a better way to make this work? Thanks.
Hi, I have a problem when I apply an effect. When I use one of the stylize filter, my video changes, been more blurred. I mean, if the video is a music sheet, the lines of the staffs disappear.
In the first image I haven't aplly the filter yet.
In the second one, I apply it and the staff is blurred.
Greets and thanks for your time.
Hi,
I just upgraded to Premiere CC and I'm a bit(very) dissapointed. One of the reasons why we upgraded was the possiblity to sync audio and video within Premiere. We use Plural eyes quite extensively but I'd love to be able to do everything within Premiere.
However I've tried to Sync a few video clips (DSLR with Rode top mic) with a few audio clips (from audio recorder) and the result is always off. Sometimes by a few seconds, sometimes by less and sometimes Premiere wont even consider some of the clips......
I've tried the syncing through the Multicam feature or through the 'merge clips' option to no avail......I mean, this is really bad from Adobe! how can it be so faulty? Is there something I'm missing?
Back to Plural Eyes then.....
cheers
If i have a clip on the timeline and i doubleclick it to bring it up in the source monitor and add markers. The markers appear in the clip in the source monitor, but they the markers don't show up on the clip in the timeline. Never had this issue with CS6 (or FCP). Is it just a setting? Or this is a bug in Premiere CC?
I'm working in Premiere Pro CC on OSX 10.8.4 and every once in a while my entire Mac will freeze/stall/hang for 1-2 minutes. During the freeze, the mouse cursor dissapears and the keyboard doesn't work. Once the freeze is done, everything resumes and works like normal.
Things that seem to trigger this event are adjusting effects sliders on layers that have transparency, alpha channels, or low opacity. I mostly work with Quicktime MOV files that have alpha channels and use fonts with an opacity set to 78%.
One time this even happened after I did an export media, and the preview window on the export media panel was stuck at "Rendering Preview".
I'm using one of those newer iMac machines and it has an NVIDIA GeForce GTX 680MX 2048 MB video card. In the project settings, my video rendering and playback is set to "Mercury Playback Engine GPU Accelleration (OpenCL)". I will next try setting it to CUDA to see what happens.
-Pete
I installed the Premiere CS6 Creative Cloud group for trial purposes and when I go to check out Encore, it gives an error msg along the lines of: "Encore will not run in trial mode. Please enter a valid serial number." What's up with that?
I find myself scaling clips on a sequence all the time. I would like to quick key to the motion scale setting after highlighting a clip on a sequence. Now I highlight a clip > go to Effect Controls > Motion > Scale..
Any ideas.
Thanks,
jim
I've posted about this earlier but thought it was worth another try.
Using Premiere CC on a Mac Pro (with Mountain Lion and Quadro 4000 Cuda card) - when in a ProRes timeline (whether it be 422 or LT), and trying to export to ProRes (whether "use preview files" is checked or not), Premiere consistently hangs on export whenever it hits a graphic file (tiff, psd, etc) or a Premiere generated title. If I export into another format (h264, etc) - it exports fine (just takes awhile).
In Premiere CS6, "use previews" never worked with ProRes, but you could still export to ProRes - it just didn't use the preview files. Now with CC, you can't do either - at least not if you are using any graphics files or titles. If you're just using video clips in the timeline, then it works fine (using previews or not). I've tried this on 2 systems and have found other users on these boards as well as the Creative Cow forums that are experiencing the same issues.
Being able to export with previews was perhaps the biggest reason I upgraded to CC, but instead I feel like its taken a step backwards (at least on a Mac in a ProRes environment).
Is anyone from Adobe listening??