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Won't let me move an Audio clip

June 10, 2015, 12:56 pm
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Hello,

 

Using the latest Premiere CC 2014.2 version.  On a Macbook Pro, 8GB of ram

 

I have a main sequence (All-Final) that I'm copy/pasting clips from other sequences (student names) into.  On the All-Final sequence, I have a few audio tracks - one for music and the other for the voice audio from the other sequences.  On most sequence copy/paste transfers I'm able to move the audio to the track where I've already placed effects on.  This particular one (Taylor) won't let me.  I click and drag and nothing happens.

 

Any ideas?  Thanks!

Screen Shot 2015-06-10 at 3.54.33 PM.png

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Resolution drop after import picture and drag to timeline sequence

June 10, 2015, 11:15 am
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After i drag all imported picture with good and sharp resolution to time sequence, from preview and after export the sharpness of picture decrease, anyone can let me know what problem?

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Can I lock clips on their tracks without locking the whole track?

June 10, 2015, 12:41 pm
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I'm doing a multi camera project in CS6 and after syncing up a number of clips on separate tracks, I'd like to lock just those clips so I can't accidentally mess them up while I arrange other clips past them on the timeline. I know I can lock tracks but then I can't do anything later.  Is there a way to lock a few clips at a time on their tracks?  Thanks,  Mike

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I am having trouble importing a certain type of footage into Premiere. Some imports, yet other freeze Premiere up completely...why is this happening??

June 10, 2015, 1:42 pm
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Hi world!  I have a very bizarre problem that I would love help with.  It's a challenging one for sure...

 

So I work at an agency where we mostly shoot our own videos and edit them.  But every once in a while, we get footage we did not shoot and in formats we aren't really that familiar with.  I've gotten footage recently from an outside shooting team that shot on Panasonic P2 cameras (The HPX 500 and HPX2000).  The video files are MXF media which I've dealt with before like with the Canon C300 camera for example.  But these are wrapped a little differently; I've uploaded a photo of the file structure. 

 

So my main issue really is, I can't get certain MXF files to import into my project.  What is VERY bizarre is that, when first working on this project, I imported 2 different people's interviews and they came into Premiere just fine, and with the audio already synced and everything!  Then my coworker asked me for a specific guys interview (other that the two I was currently working on), and then all of a sudden when I try to import, it just....freezes.  Premiere just sits there with the importing window with no progress inside the bar.   So then I thought, let me try again...I tried again...and again...and again.  Nothing.  Then I think, okay maybe it's just this one specific guys footage.  So I try another file and once again, I get spinning beach ball and an import window with no progress.  I figured, let me walk away, go to the bathroom and see if something happens when I return.  Nothing happened. 

 

I must mention that at our company we work off of a server constantly and I specifically work off of a Mac Pro (3.5 GHz 6-Core Intel Xeon E5 processor, 64GB 1866MHzDDR3 ECC,

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This project was saved in a newer version of Adobe Premiere Pro and cannot be opened in this version.

June 4, 2015, 7:01 pm
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I have Premiere Pro cc 2014 on my lap top, and just downloaded the cloud and the latest version of Premiere, which is Premiere pro cc 2014 and I immediately noticed a different looking welcome menu, and I got a warning saying that 'This project was saved in a newer version of Adobe Premiere Pro and cannot be opened in this version.'

 

Is it an issue with my computer operating system?

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pp cs4 firewire capture

May 29, 2015, 5:34 pm
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premiere pro cs4 has suddenly stopped seeing the camera to capture video, I even purchased a new express card firewire adapter thinking that the port had gone bad. Any suggestions? Thanks

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"The project was saved in a newer version of premiere pro and cannot be opened in this version." - Except it wasn't!

September 11, 2014, 8:44 am
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Last night I saved a project I've been working on for a couple of days. It's been fine all along. Today, when I went to open it, it's no longer listed in the recently opened files on startup and i get this message:

 

"The project was saved in a newer version of premiere pro and cannot be opened in this version."

 

Except it wasn't! I use Premiere CC and it's been fine all along. I can no longer open it at all...

 

Any thoughts? Very frustrating!

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Changes to Project Manager

December 12, 2014, 6:51 am
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I am trying to archive a project for the first time since upgrading to Premiere Pro 8.1 and the Project Manager settings have changed.  Now, there is no option that will trim my project while maintaining the original media codecs of each file.  Why are we now stuck with transcoding everything, which takes forever and results in flattened alpha channels and enormous file sizes.  Is there a work around?  Thanks!

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Why I do not get reasonable quality whenever I export my project to mpeg2-bluray similar to the perfect quality of H.264 (for example)?

June 10, 2015, 12:06 pm
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Hi all,

 

I am using Adobe Premiere CC 2014 (updated regularly) and I used to export my projects to the H.264 1920X1080 and always achieved perfect results. Now, I need to export my project to mpeg2 to use Encore CS6 to build a DVD with chapters, music, etc. unfortunately when I tried the mpeg2-bluray, then the mpeg2-DVD both were yielding odd results such as:

1) The narration of the documentary is lower in volume than the music in other parts of the project while this is not the case when I tried the H.264 as all the sounds were having same volume (normalized)

2)The project has some jpeg pictures which I am zooming in, I found that both mpeg2 formats are showing flickers in the edges of the icons inside the pictures while zooming in, and stops flickering when zooming in stops, something which I don't see in the H.264!!

I want to make this inquiry short, so I would be satisfied to know what I am missing to get same results as I get when I export to H.264 1920x1080

 

Thank you very much.

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Encore CS6

June 10, 2015, 2:07 pm
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After I edit my video(AVCHD), I render it as an MPEG 2 DVD.  In Encore CS6 it does not Transcode the video.  Therefore, I have a second generation video on the DVD.  Are there any other programs that do not transcode MPEG 2 DVD videos when creating a DVD?

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RENDER PROBLEM - AME and Premiere Pro CC causing random horizontal lines on H.264 Renders

March 7, 2014, 9:35 am
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I just got the new mac pro with freshly installed, up to date software, so of course something isn't working right...

 

When exporting batches of H.264s from Premiere Pro CC using AME, I get random horizontal lines on screen for most videos. (see below image for a clear example of one of these random horizontal bugs. the line below the logo is the issue)

 

Screen Shot 2014-03-07 at 8.46.37 AM.png

Tried restarting the app a few times, which gave me a clean render here and there, but mostly the issue persists and it's taking me forever to produce clean renders. I notice this problem less when exporting straight from the timeline in Premiere Pro, but alas it still happens.

 

This random issue is catastrophic for my workflow. Help?!

 

[Text formatting corrected.  Please type your posts directly into the forums, as copy/paste often leaves unwanted code throughout.]

 

Message was edited by: Jim Simon

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Why is this happening?

June 10, 2015, 12:54 pm
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I'm running Premiere Pro CC on a 2014 15" MacBook Pro Retina Screen Display with a quad core intel i7 2.5 Ghz processor and a dual Iris Graphics and NVIDIA GeForce GT 750M, this computer is the most maxed out on graphics that Apple offers (besides the Mac Pro desktop), so there's the background on the machine, and here's my problem. Below I have posted two screenshots, the first being what my footage looks like when it's playing, the second, is what it looks like when it's paused. I wasn't too worried about this when I was editing the video since it looked fine in playback. After exporting it in different formats (mp4, mov) it played back regularly towards the beginning but somewhere in the middle it starts glitching and the red lines cover some of the images. What am I doing wrong?

Screen Shot 2015-06-10 at 3.43.18 PM.png

Screen Shot 2015-06-10 at 3.43.22 PM.png

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How to edit and publish online standard definition interlaced video

June 10, 2015, 7:55 pm
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I have standard definition video recorded onto a DVD+R disc.  The files on this DVD are .vob files.  I have a software program called VOB Merge that combines all of the .vob files into one combined .vob video file.

 

I import this combined .vob file into Adobe Premiere Pro CS5.5.

 

I have tried so many different ways to get the end result that I desire but I haven't found a solid path or method to get my result.

 

My final result is publishing video on Vimeo and YouTube.

 

I need help figuring out how to get my standard definition video that is interlaced published on Vimeo and YouTube and the quality of the video look better than decent.

 

Do I create a predetermined sequence with the specs required by Vimeo and YouTube?

Or do I choose the nice feature inside Premiere that creates a sequence based upon the settings in the video file?

Then how do I get rid of interlacing since both Vimeo and YouTube require progressive video?

Audio sync is another issue I have to usually repair.

 

The current results I'm getting when I publish on Vimeo is video that's choppy, somewhat blurry, audio is way out of sync.

 

When I create a sequence manually with these settings: 640x480, square pixels, progressive, NTSC; and I add graphics from Photoshop with dimensions of 640x480 pixels, when I'm editing the video inside Premiere the graphics look great and sharp just like they're supposed to. But when I go to export the video for publishing online the graphics start looking slightly fuzzy - not a crisp as they did.  No matter what export settings I set the graphics still look slightly fuzzy.

 

I do realize that the quality of the graphics and video will be subjected to blurriness around letters in the graphics when publishing video in a compressed format for web use, but the graphics don't look good from the get-go of exporting out of Premiere.

 

I'm the kind of guy that likes and enjoys troubleshooting these kinds of issues, but man, I've been struggling with this issue for a couple of years now - finally stopping to write down all my issues on this forum and hopefully I will get much needed direction.

 

Please e-mail me for further questions or comments.

 

Thank you,

Joshua

 

maestrojewf@swbell.net

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How to Import Multiple Image Sequences into - Premiere 'Pro'

October 15, 2014, 2:32 pm
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Hi ;-)

 

1) I added a bug report about this 4 years ago  -- Is this STILL not possible ;-))))

 

I have 200 Sequences sitting each in its own folder. As of now - then year of the Lord 2014, I have to physically select each folder and add them one by one...

This is almost funny...

 

Perhaps I am missing the extreme obvious --- Either that or Premiere Pro is.

 

 

Any Help is greatly appreciate

 

 

Thanks

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Time Remapping results in a black output

May 15, 2015, 12:41 pm
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Hi there,

 

I have a strange problem with the time remapping feature: I increased the speed of a (nested) sequence and instead of showing all video as I would expect it to do, it cuts to a black output after an undefined time. And no, the speeded-up video doesn't end when it cuts to black. To fix this, I tried to increase the speed to 101% only, but I still get an unproportionally large black output.

Next, I hoped that it's just displayed incorrectly, but even the export ends in a black clip.

 

Considering this picture: this is the first frame that is black. All following frames are black as well, the previous one isn't.

Capture.PNG

 

Premiere Pro version: CC v. 7.2.2 (33)

Device: Dell Inspiron 7520 (15r special edition) (modified hardware)

OS: Windows 8.1 Pro (64 bit)

 

 

Any idea on how to fix this?

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HiDpi support question

June 11, 2015, 12:31 am
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Hi,

 

I'm thinking about upgrading to a new monitor which would be 34" 3440x1440 or 27" 2560x1440, both around 110ppi. Upon doing research, I have seen there's been issues in the past with premiere pro and windows 8.1 scaling on hidpi screens. I did see that Premiere Pro CC 2014.1 release | October 2014 says it is now supported, and I can't see any mention of scaling on the forum since this date, so assume it is fully working. But I have also seen on the photoshop forum some posts about 200% working but inbetween scaling isn't yet fully working. I don't know whether that's the latest info on Photoshop, but it is making me wonder if premiere pro scaling is fully working at all levels.

 

Can anyone confirm that premiere pro works fine with hidpi screens and scaling since this update? And is this also the case in things like after effects, prelude, encoder etc.

 

Also, as encore hasn't been updated to cc, I assume it will never have hidpi support. Is this the case?

 

Thank you for your help.

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AVCHD metadata import

June 15, 2014, 2:38 am
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Hi,

 

I have a Sony GWR-66VE camcorder that records AVCHD to a SD memory card.  I'm having problems importing the media so that the time/date and timecode metadata is included with the file.  I've tried the following methods :-

 

1. Using the supplied Sony Playmemories software to import the files I get renamed .m2Ts files e.g 20140614114153.m2ts.  Each file has a corresponding .modd XML file which appears to contain all the metadata but nothing is recorded in the file metadata

2. Using Premier CC's Media Browser I browse the memory card and import from there.  The browser correctly identifies the folder type as AVCHD but on import I'm left with an .mts file (e.g 00070.mts) and no meta data

3. As per method 2, I've also tried copying over the entire memory card contents un-touched and tried the media browser on the local files.  Same issue.

 

I thought Premier was supposed to be able to read and correctly interpret the AVCHD folder structure so that the relevant metadata is also extracted with the file?  I'm having to use the Sony import routine because at least that names the files with something useful, but not having the correct timecode and date/time information recorded in the metadata is really sub-optimal.

 

Any help appreciated.

 

Thanks.

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tonal range definition not working?

May 16, 2015, 5:50 am
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So I'm new to this whole adobe premiere thing and I could just be missing something simple.  I am trying to expand the highlights on a clip.  I'm using the RGB color corrector and when I change my output to tonal, nothing happens.  The luma output works fine but nothing changes when I change it to tonal.  Furthermore, when I try and change the tonal definition, the picture remains as is.  What am I missing?

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can you do chroma key in premire pro

June 9, 2015, 11:32 pm
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is there an option for chroma key in premier pro trial so i can edit my video's???

Quick i need help for school work!!

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Premiere Pro 6 upgrade from CS5.5

June 11, 2015, 4:30 am
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How do I upgrade my Premiere Pro CS 5.5 to CS6?

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